Oliver Waldbillig with Steadicam on the Set: So Gott Will (Short by Tomislav Vijcic)
Photo: Dariuz Misztal

The use of a steadicam allows to create astonishing visual and emotional moving shots and offers freedom to the director and the DP to place and move the camera where and when they want in order to tell their story. 

Shots like the  3 min. Copacabana shot from Goodfellas (1990, Dir. Martin Scorsese) or the 5 min. Beach at Dunkirk shot from Atonement (2007, Dir. Joe Wright), the shots in The Shining (1980, Dir. Stanley Kubrick) are some examples for great storytelling shots and their influence on the perception of the film.


Steadicam Demoreel


Trailer: Orientierungslos

This is the trailer of a short movie called Orientierungslos by Lara Mack I worked on last summer. Part of the three minute longtake made it into the trailer.

Enjoy watching.


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Teaser/Trailer: Halt!Los!

Last summer I worked on a feature film called Halt!Los!. Here you can see the teaser/trailer of the film with some steadicam shots of me

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